SCUM MANIFESTO contexts 17
turies” 4, SCUM identifies the revolt of women rising up, the front of an opposition to patriarchy. Christiane Rochefort also insists in her preface to the 1971 French edition: “There is point when one has to get the knives out. […] This is when one understands that some-thing is wrong. Not before” 5. Valerie Solanas’s words are sharpened like blades, they cut within the heart of domination, opposing a fighting rhetoric to that of the oppressors.
The name of the collective under which Carole Roussopoulos and Delphine Seyrig signed the videotape SCUM Manifesto — Les
4 Vivian Gornick, “Introduction” (1970), in Valerie Solanas, SCUM Manifesto, Paris, Olympia, 1971, p. 17.
5 Christiane Rochefort, “Définition de l’opprimé”, presentation for Valerie Solanas, SCUM Manifesto, op. cit., p. 7
Opening credits of SCUM Manifesto.